32101

WiSe 20/21: Objects, Agents, and Audiences: Sculpture and its Expansions in the United States from the 1950s to 1990s

David John Getsy

Kommentar

The second half of the twentieth century saw a fundamental reorganization of the medium of sculpture, and this course will chart its major developments. From the 1950s onward, sculptors in the United States became preoccupied with their work’s relationship to everyday objects, industrial products, mass consumer goods, and the human body. Sculptural representation was left behind as abstraction, assemblage, objecthood, and dematerialization took hold, and we will examine sculptors’ restless attempts at greater degrees of relation to everyday things, institutional contexts, and human bodies. Artists were energized by how sculpture could expansively incorporate architecture, performance, and the lived body; but they also prophesized its disintegration and obsolescence. Pushed to its limits, sculpture came to occupy a central role in American art theory, and it became an analogy for debates about gender, power, history, and commodification. This course will examine the ways in which these contestations of the sculptural object registered important cultural and intellectual shifts in American art and culture across these decades. Please register at: culture@jfki.fu-berlin.de with your name, matriculation number, study program, home university (if applicable), zedat email address or email address of home university, and type of exchange program (if applicable). Also register on Campus Management as soon as possible because there is only a limited number of places This course will combine limited in-person instruction with synchronous online meetings. For details, please refer to the syllabus on Blackboard. Schließen