32115

WiSe 20/21: Street Actions: Public Performance Art and the City of New York in the 1970s and 1980s

David John Getsy

Hinweise für Studierende

This course is now fully booked. Further applications will not be considered!

Kommentar

This seminar will examine how New York City's urban spaces enabled the proliferation of performance art in the 1970s and 1980s. The tumultuous shifts in the economic landscape of New York City facilitated new modes of non-commercial artistic practices that turned away from the commodified object and toward performance, event, and action. We will study the ways in which artists created disruptive public tactics, urban interventions, infiltrations of institutions, and public protests. Emphasis will be placed on performance art at public sites, often unauthorized and unsanctioned. A central question will be how artists actively sought unexpecting audiences and new locations for performance in order to contest mainstream narratives of race, sexuality, and/or gender. Case studies will include Adrian Piper, Scott Burton, Betsy Damon, Tehching Hsieh, Mierle Laderman Ukeles, Stephen Varble, Pope.L, Papo Colo, Tseng Kwong Chi, Lorraine O’Grady, and ACT UP. From eroticism to activism, performance art interacted with the city’s urban geography, contested zones, and infrastructure. We will examine how performance artists in these decades made the street the stage and confronted new audiences. Please register at: culture@jfki.fu-berlin.de with your name, matriculation number, study program, home university (if applicable), zedat email address or email address of home university, and type of exchange program (if applicable). Self-enrollment on Campus Management is not possible for this course, thus, please register here. There will only be a limited number of students accepted in this course, thus, please register early. Online, synchronous. Schließen